Showing posts with label Oscar. Show all posts
Showing posts with label Oscar. Show all posts

Oscars 2010

My morbid curiosity for watching the Oscars live (and unedited) has come to an end. It's really a test of human endurance to watch people go through their laundry list of thank yous. Steve Martin and Alec Baldwin should be spanked for hosting one of the most boring most-watched prom nights. I was glad that 'Avatar' didn't win anything big* and 'Hurt Locker' did win the top categories. At the risk of generalization and simplification I'll say this - it's interesting that James Cameron did the most womanly of the movies I've seen in a long time (and a crappy one at that) and made a ton of money while Kathryn Bigelow made the manliest of movies I've seen in a long time (a very good one) and has until now remained relatively obscure. In a world where cinema audiences are increasing men (especially teenagers), I've got to give it to James for breaking successive records with maudlin movies featuring horrible dialogues.

I liked Sandra Bullock's speech and I'm happy for Jeff Bridges.

* Avatar won for cinematography and now I'm really confused. In a movie like 'Hurt Locker' the viewer is made to recognize the vastness and emptiness of an Iraqi desert, a bustling market, the sweats on the face of a soldier. There's a whole lot of special effects in Avatar and the cinematographer still guides the view through his lenses - but it all seems a bit fake to recognize such a movie with the highest Hollywood honor. When most of a movie is shot inside a room with a monochrome background and movements aided though software and sensors, it somehow seems unworthy of Oscars to me. But then who said that Oscars should always go to the worthy.

And the Oscar Doesn't Go To..

A piece in the 'Economist' concludes:
Within Hollywood, of course, the Academy Awards still matter a great deal. Prestige and acclaim are hard currency in the film business, in many ways more valuable than money. The danger is that Hollywood’s taste in its own products is becoming as removed from public opinion as its political views are outside the American mainstream. What viewers will see on Sunday night is an industry talking to itself.
But James Patterson doesn't need to win a Pulitzer. He shouldn't even be considered for a Pulitzer because it would be defeating the whole purpose. His purpose is to make money. The purpose of the academy is to identify and honor artistes who made a worthy contribution. The giant financial machine that Hollywood is, it may not have been wise for it to exclude 'The Dark Knight', a giga-blockbuster and include 'Milk', an anemic-moneyspinner in the best picture category. But where else will the producers of 'Milk' be commended for telling the story of a forgotten man? How else can they pat on their backs for embarking on a project that didn't have a viable revenue generating star/story? How else are Melissa Leo & Richard Jenkins (who were nominated in the top acting categories) going to be recognized for their brilliant performances in minor productions that didn't play in theaters near you.

Oscar was once Hollywood's prom night. It still is, in terms of glitz and glamor, but in terms of recognition the members of the academy have opened up and started accepting range. Cannes & Berlin have a different style of scouting films where they go hunting all over the world. Oscars, though still mostly American, many nominations in the recent years have belogned to low-budget no-names in the eye of an international viewer. That's a welcome departure because the prestige & acclaim that comes with Oscar is more valuable than hard currency and that is what keeps the art of moving pictures moving.

*

A.R.Rahman, the wonderboy from Chennai won Oscars for original score & song. A couple of weeks back I was listening to 'Uzhavan', one of his earlier soundtracks. The variety of this album borders on genius. 'Slumdog Millionaire' pales very much in comparison to 'Uzhavan'. So, I think it's fair to assume that if someone from Peru decides to dig up Rahman's earlier works, they're only going to be more impressed. Baradwaj Rangan wrote a piece a few weeks back explaining how the interconnected world has shrunk the cultural gap and increased the base of audience for Rahman's music. That's definitely one of the reasons why Rahman was picked up by Andrew Lloyd Weber in London and why M.S.V or Ilayaraja wasn't popular even in North India. Though Ilayaraja's music is closest to my heart, I'm very proud of Rahman's contribution to international music.

Oscar Live Tweets

  • Hugh Jackman did an amazingly fluid opening sequence.  He'll be setting a new benchmark in hosting, I hope.
  • Slumdog opens its account with an Oscar for adapted screenplay.  I'm afraid this undeserving movie is going to sweep the top categories.
  • I'm hoping to witness at least one interesting Oscar speech.  Three speeches so far, and all have been flat.
  • Wall-E wins best animation.  I thought the animation (the Earth part) was extraordinarily brilliant.  But I found the screenplay sugary-preachy.
  • Production Design goes to Benjamin Button.  The streets and cars and street lights and beer bottles looked authentic in this movie.  The movie didn't have a heart, but had a great body.
  • Make-up to Benjamin Button.  Really, I didn't know what was computer generated and what was prosthetic.  I think this movie will score a lot more in the technical achievements section.
  • Oh boy, doesn't anybody have anything interesting to say upon accepting the trophy.
  • Wally Pfister didn't get it for his cinematography for 'Dark Knight'.  I thought the sweeping epic tone was very much imparted by his magnificent eye.  I don't know if I'm sad that he didn't get the Oscar for his work or Mantle won for Slumdog.
  • The 4 living actors nominated for a best supporting actor are unlucky - the members of the academy just wanted to see Heath Ledger's family on stage as their thank you note before they forget.  Ledger was chillingly brilliant in 'Dark Knight'.  But did you see 'Tropic Thunder'?  You'll understand why Robert Downey Jr is a magnificent actor.  Any other year, hands down, he would have won.
  • Bill Maher, my favorite observational comedian, presented the best documentary.  But he went on a shameless self-promotion of his own documentary 'Religulous'. 'Man of Wire', a documentary about a man who walked between the two towers in the 70s won in this category.  It had a great buzz even before it was nominated.  And it's on Netflix Instant Play.
  • Rahman wins.  Wow, I still vividly remember being blown away by his 'Vellai Mazhai'.  Though his score for 'Slumdog Millionaire' is not his best this is a long overdue recognition.
  • Rahman wins again for 'Jai Ho'.  He caught the eyeballs of film producers all over the world tonight.  I wish he had hired a speech writer. Both speeches were a bit clumsy.
  • Two talented actors take the top acting prizes - Kate Winslet for 'Reader' and Sean Penn for 'Milk'.  Kate Winslet said 'I can't believe we're competing with Meryl Streep' - well, Kate is very nicely maturing into the next Meryl in terms of depth & range.
  • Best picture, anybody's guess.  What can I say, these are economically bad times and the members of the academy just love to see an underdog win a million.