Vaaranam Aayiram

When I decried the quality of Tamil films to a friend and how I can't get past 10 minutes of many that I've tried to watch in the recent past he insisted that I see 'Vaaranam Aayiram'. After watching it for 30 minutes I wanted to stop, but I persuaded myself because I haven't seen a Tamil film until the credits rolled since 'Dasavatharam' and wanted to sit through this one for the heck of it. Then I decided that in such circumstances I should go with my instinct and save myself some time.

While the usual formula contains part cleavage and part punch-dialogues, Gautam Menon, the director, in an effort to give the audience a 'non-movie' movie experience has stripped some of the ingredients. There are fights where the hero doesn't fly. The father is friendly, not fire-breathing. The hero falls flat after losing his love but picks up life with another woman and marches on. More importantly, there's no flow in the narration where elements of screenplay converge in the end for a grand denouement. But pretentious drab should not be confused with film art. 'Vaaranam Aayiram' is long and fails to engage. It's not cerebral and doesn't deserve delving into its themes.

While Menon wants to be appreciated for his bold vision for his tangential sub-plots in the second half, we can sense his turmoil to abide by some of the Tamil cinema's rules. Songs. There's a 10 minute episode on how the protagonist's parents fell in love in the 70s. Surya as a school boy? Give or take 20 years, the viewers won't notice! Although I'm annoyed by overacting heroines, Menon flashes his female leads with their underacting. Their stilted range of emotions is annoying too. The biggest downer is Menon's dialogues - in trying to be poetic he's managed sophomoric. Some may sleep through, some may scratch their heads and some may be wowed. I just didn't hate the picture.

But I'm happy the film is made. Surya is no better than Vijay for accepting such a non-commercial project for it all boils down to holding onto one's fort. While Vijay and Ajith have a strong viewership in B & C centers, Surya and Vikram with their flair for experimenting alternate between commercial and challenging roles to earn audience with sophisticated tastes. Nobody serves the art; every actor prostitutes their talent for money. But with the success of every Vijay/Ajith film we're traveling back in time. With the usual nonsense on how a woman should dress to crass comedy capitalizing disabled people their movies propagate virulent stereotypes. With at least 'Vaaranam Aayiram', we're going in another direction - it's progressive because there's no social degradation.
This is interesting:
A judge has finalised a settlement in which film studio Sony will pay $1.5m (£850,000) to film fans after using a fake critic to praise its movies.

In 2001, ads for films including Hollow Man and A Knight's Tale quoted praise from a reviewer called David Manning, who was exposed as being invented.

He supposedly called Heath Ledger "this year's hottest new star" for his role in A Knight's Tale, said The Animal was "another winner" and Hollow Man was "one hell of a scary ride".

People who saw the films in the US can now get a $5 (£2.80) refund from Sony's pay-out, lawyer Norman Blumenthal said.
Sony did something enormously stupid. Their fictional cinema critic was just one Google search away from being exposed and still they went ahead. But the legal aspect of the outcome is interesting. So, if I saw the movie and retained the theater stub I'm eligible for a $5 pay-out. The judge thinks that it's appropriate the studio compensate half of the ticket price for cheating its audience. And 'cheating' here means misleading the common man by a fake positive review. I think the judge was legally bound to compensate the viewer somehow. But does it make common sense?

Shouldn't the audience who claim their $5 back be asked to prove that they saw the cinema only because of the fake review by the fake critic? No, because it's logically undecidable. This leads me to another question - how many cinema goers go to a specific cinema because their favorite critic recommended it? Before the internet, whatever newspaper/weekly you subscribed to and whatever critic worked for that publisher played a role. But now everyone has access to every cinema pundits' bytes. Rottentomatoes pools together reviews of popular critics. And IMDb has its rating for every movie - voted by the general public.

At the beginning of this decade, when my interest in cinema was at its peak, I devoured every review from every pundit. There was a phase where I allowed the critics to dictate what I should think about the movie. Wag the Dog is an example - I thought it was bland and predictable, but critics loved it. I read them all and taught myself to love it. This primarily came from the insecurity that I don't know enough, not mature enough, not culturally acclimatized enough to appreciate the product. It took a while for me to realize that I'll always be, heck, even some cinema pundits will be, inadequate and not always get the director's vision. Sometimes, it's just a cheap writer/director conveying something unworthy of serious interrogation. Sometimes a truly serious message is lost on me. But either way there's no need for me to hide my real thoughts.

I saw '2012' last week after reading Roger Ebert's review. For those who don't know much about film critics he's their equivalent of Brad Pitt. He won the 1st Pulitzer for film criticism (of only 2) and most of the times my likes and dislikes are in agreement with his. The cinema was such a disaster that I wanted to punch my fist through the screen (as if there weren't enough holes in the movie). If that's his only review some reads they'll think he has an IQ of the director of 2012. Since I've followed him over the years I know that's his guilty pleasure. He recommends some crazy products from time to time.

Now that I have rambled let me try to connect the dots and conjure a few points. Most people don't listen to critics. They have their favorite actors, directors, writers to decide if they should go to a movie. Those who read/listen to critics always take that with a pinch of salt. And they gradually educate if the taste of their critic matches theirs. But nobody I know ever respects blurbs behind DVD cases or newspaper ads. Those short sentences always have to be 'Brilliantly directed' or as in this case 'Another Winner'. Sony had to pay for something nobody would anyway have based their movie-going decision on and that's just dumb.
Leaders of two very significant democracies come together. And it's on the eve of the first anniversary of a terrorist attack on one of the countries. Obama is about to announce his Afghan policy today while India plays a crucial role in the stability and reconstruction of that region. And I repeatedly read and hear the Salahi's breach into the state dinner. Not just at this respected news daily, but all my news sources have home-page items on the Salahis. In this loud media fart I wasn't able to find a single piece from the top dailies (Times, Post & the Journal) on the immensity of Singh's visit.

The couple that crashed into the party are celebrity whores. They're famous now for trying to get famous. And they want to get a bit more famous so that they can be even more famous. But what about the audience who care about politics, war, economy, health care? They're now driven to focus-journals like National Affairs & Foreign Policy. The editors are not even emphasizing the breach as an indication of the holes in the security details for the leader of the free world - they're carrying profiles of the crashers and what they're up to. With the flurry of coverage given to nonsense like balloon boy, Levi Johnston and now the Salahis, they're ...
In Minority Report, set in 2054, Tom Cruise has transparent discs half the size of CDs which hold high quality video that can be projected. Spielberg consulted scientists from MIT ( and elsewhere) to visualize a futuristic home.

Now, even in 2002, we saw the beginning of the decline of personal storage tools with every digital content moving to the cloud. Although we have Bluray today for super-high-defintion content, in about 10 years when the information infrastructure is strong & deep and processing powers are manifold than what we enjoy today (when is Moore's law going to hit the physical limits and stop working?) every audio & video will be streamed from the cloud, it will be of supreme quality and there won't be any buffer time.

Did the MIT guys not see it coming? Or did Spielberg refuse because it would be a bland sci-fi prop to see a video clipping from the web compared to those cool mini-discs?
And I thought WPUJC Waas, the Srilankan blower, had too many initials. [Scorecard]

Living Within Means

Occasionally I blow-off steam. Being raised in a financially conservative society makes you think 18 times before you start to shop around for a nice pair of shoes. But compare that with the all-you-can-eat cheap money made possible to Americans by conservative savers like Chinese:
When Michelle Patterson was laid off as an executive director of marketing for a publishing company in January, she figured she could subsist comfortably, at least for a while, on the $20,000 she had reserved from her savings and severance combined. She continued to eat out regularly and made daily Starbucks runs.

"It made me feel like I was still at work," says the 41-year-old resident of Newark, N.J. She spent as much as $250 a week on networking meals and drinks with contacts. Some days, she scheduled up to four coffee meetings a day, picking up the tab most of the time. She also spent $30 a month for pedicures and $150 on her hair.

The reckoning came in August, when she examined her finances. Her condo had been on the market for six months but she'd yet to receive a single offer. Her severance and savings were nearly gone.

As much as I'd like to go out there and live the moment, fiscal discipline is so ingrained into me (just as it is for a mass middle class who grew up in India before the IT revolution along with other money spinners arrived) that it's quite impossible to sign-up for something beyond my capabilities. But American culture as a whole has exhibited an acceptable risk that has pushed its limits consistently - it's okay to buy a new car, new house, send kids to private schools, dine out regularly, take that Hawaii vacation - even if it's not in your means.

My philosophy is that if I fail, it's my personal responsibility. But for a good chunk of the Americans the cause of a failure is packaged and handed over to someone else - the lending firm whose practices are predatory, easily available credit cards that charge 34% interest, pay $0 to drive out a new car while the finer print said something monstrous. This finger-pointing, though not completely unjustified, has give birth to a thriving law business. Everyone wants to sue someone. This in turn has made the credit card firms, banks, auto dealers, insurance companies, etc get super legal protection who lobby for bills in favor of them or at least for bills that aren't too favorable to consumers.

A few months back I quoted a NewYorker article about American food culture where an entrepreneur gradually increased the portion size; the general public don't want to drink 3 cans of coke but it's okay to drink from a mini-well of coke that wonderfully complements the mini-bucket of popcorn. The normal serving sizes of junk food today are up from a generation ago. The same goes for houses, cars, credit card limits (considering inflation)... Market sees that if the common man likes to go on binge-eating, he's going to need a bigger shirt to wear, a bigger couch to sit on, a bigger house to roam around, a bigger car to drive around and a bigger coffin to rest. Americans know capitalism much better than anyone else. The mass wanted to move from a producer economy to a consumer economy. And the market delivered it.

Coming back to the above quote, two factors come to my mind - instant gratification & peer pressure. Going to a Starbucks and spending $3 on a coffee makes a statement about the person to the rest and that should make them feel good. The same goes for the car they drive, the dress they wear and the TV in their house. It's hard to dismiss them as having no foresight. Unemployed ones can't sustain this lifestyle and it doesn't take a Nobel prize in economics to see that. But they feel the need to continue the way they live so that they're respected. As behavioral economists would say, such acts aren't cold logical decision making sessions but are largely influenced by friends and neighbors and colleagues. And when an unemployed family continues to burn their savings to continue their way of living, they set a new standard for future unemployed persons.

PS: I know these observations are sweeping generalizations and over-simplifications, but they reflect reality at a reasonable level.
It seems like I'm on another spree of linkfest without any of my commentary. But I can't resist this nugget of wisdom.

Calling this Adoor Gopalakrishnan's piece bad would be an understatement. I'm having second thoughts about seeing his movies. [Emphasis mine].
A director of popular films in Malayalam recently said that the farther his films were from the realities of life, the better their chances of becoming commercially successful. But I think filmmakers should have a responsibility to their audience. They should not cheat the people, ignore them or assume they are intellectually inferior. Filmmakers need to have a lot of respect for their audience. Only then will their movies become worthwhile works of art. Most popular filmmakers take their audiences for granted. This is the most important difference between the makers of popular films and those of better films.

We go to a movie to see something new, to enliven our minds and our brains. We do it for the same reason we read a good book — to know what we don’t, to transport ourselves into experiences that we have not known, to look through another’s eyes. A work of art, whether it is literature or cinema, attains a certain importance when it enables us to experience life at close quarters. Such literature and films surely give pleasure — real entertainment to their audiences.
This is tragic:
What's striking is the way young Chinese people can progress from first kiss to multiple abortions in a relatively short time. Take Hu and her college roommates, who all arrived at school as virgins. Early on, one roommate from Guizhou—a poor, rural province in the south of China—asked Hu and the others how she was supposed to kiss: with or without tongue? But by the time they graduated, all four roommates were sleeping with boys, and the girl on the bunk below Hu had had three abortions in one year.
John McWhorter writes about the death of languages:

The main loss when a language dies is not cultural but aesthetic. The click sounds in certain African languages are magnificent to hear. In many Amazonian languages, when you say something you have to specify, with a suffix, where you got the information. The Ket language of Siberia is so awesomely irregular as to seem a work of art.

But let’s remember that this aesthetic delight is mainly savored by the outside observer, often a professional savorer like myself. Professional linguists or anthropologists are part of a distinct human minority. Most people, in the West or anywhere else, find the fact that there are so many languages in the world no more interesting than I would find a list of all the makes of Toyota. So our case for preserving the world’s languages cannot be based on how fascinating their variegation appears to a few people in the world. The question is whether there is some urgent benefit to humanity from the fact that some people speak click languages, while others speak Ket or thousands of others, instead of everyone speaking in a universal tongue.
Gladwell writes:
The statistician Stephen Stigler once wrote an elegant essay about the futility of the practice of eponymy in science—that is, the practice of naming a scientific discovery after its inventor. That's another idea inappropriately borrowed from the cultural realm. As Stigler pointed out, "It can be found that Laplace employed Fourier Transforms in print before Fourier published on the topic, that Lagrange presented Laplace Transforms before Laplace began his scientific career, that Poisson published the Cauchy distribution in 1824, twenty-nine years before Cauchy touched on it in an incidental manner, and that Bienaymé stated and proved the Chebychev Inequality a decade before and in greater generality than Chebychev's first work on the topic." For that matter, the Pythagorean theorem was known before Pythagoras; Gaussian distributions were not discovered by Gauss. The examples were so legion that Stigler declared the existence of Stigler's Law: "No scientific discovery is named after its original discoverer." There are just too many people with an equal shot at those ideas floating out there in the ether. We think we're pinning medals on heroes. In fact, we're pinning tails on donkeys.
A few years back there were deadly car bombs going off in Iraq every week that casualties became a back-burner news item. Every network treated it as "yeah, yeah, one more bazaar explosion.. we were expecting it". Is Pakistan next in line?

Pre-Mid Life

I'm planning to buy a car. After a ton of research a desi usually narrows the options down to 'you can't go wrong with this' Honda or a Toyota. It sickens me - not to drive one of those but to conform to a set of rules where value for money precedes comfort, driving pleasure. Not just in the matter of choosing a car but almost every decision in life is calculated to yield maximum value, choose the least risky route thereby optimizing for a mediocre life. Not just financially, but also in terms of experience, the richness of life. Bull shit. For once I want to buy a sports car. I want to drain my savings by taking a week long vacation in Paris staying in a good hotel, enjoying great cuisine, visiting wonderful museums, operas, ballets, smyphonies, tennis matches. I want to go see a cinema on a Wednesday evening. Sometimes I strongly feel like I want to quit my job and become a full-time blogger. Or write a novel. Or become a high school math teacher. Or educate myself in a field like history or anthropology. Clinging onto a monthly pay to take care of the bills is fucking poisonous.

Kandhasamy

Saw bits and pieces of Vikram's Kandhasamy. The casting director should be shot for casting Krishna as a CBI officer. And the writer should be hanged for writing him Tamil lines. There's no reason to alienate his fanbase.

Jacob Weisberg writes:
That Rupert Murdoch may skew the news rightward more for commercial than ideological reasons is somewhat beside the point. What matters is the way that Fox's successful model has invaded the bloodstream of the American media. By showing that ideologically distorted news can drive ratings, Ailes has provoked his rivals at CNN and MSNBC to experiment with a variety of populist and ideological takes on the news. It's Fox that led CNN's Lou Dobbs to remodel himself into a nativist cartoon. It's Fox that led MSNBC to amp up Keith Olbermann. Fox hasn't just corrupted its own coverage. Through its influence, it has made all of cable news unpleasant and unreliable.

The Promised Podcast Debuts

Here's my podcast. Varahasimhan, a friend, collaborates with me on this. This is our first. There are grunts, groans, pauses, stutters, grammar errors, repetitions, poor audio quality in parts, etc. Let me remind you: this is our first podcast. We both were quite the tight-asses that we usually are not. Recording our conversation made us slightly conscious of ourselves, I guess. When we discussed the final topic I had a lot to say but came across quite incoherent. I hope to get better with time.



You can download the podcast here.

This one's in English. Here's the timeline:
0 - 5 mins: Introduction, Why Podcast?
5 - 21 mins: FTC's new regulation for bloggers.
22 - 25 mins: Marge Simpson's Playboy Centerfold
26 - 42 mins: Is our society compromising ethics by liberalizing?
43 - 44 mins: Goodbye

We'll be doing one in Tamil quite soon and I'm hoping we'll be our relaxed selves joking around. We greatly appreciate your feedback.

Update: The audio quality is poorer than I expected. I used Skype to call, Powergramo to record the call and Audacity to clean up the background noise. I realize that I should have subjected the audio file to some volume-even process because for a good part my voice level is low. If you have any alternative technologies to suggest, please do. I want my second podcast to be very very clear.

Markets & Models

This is bad reporting. I'm not expecting NewYoker's level of depth from every daily or weekly, but I read the whole piece (surprisingly through Slatest) and felt bah at the end. On top of conveying nothing, it's plain vanilla stupid. This is the capsule: Filippa Hamilton, a model for Ralph Lauren (RL) was fired because she's fat. She said "They fired me because they said I was overweight and I couldn't fit in their clothes anymore". Hamilton's photo was published after digitally doctoring making her look unbelievably slim. "I think they owe American women an apology, a big apology," she said. "I'm very proud of what I look like, and I think a role model should look healthy." And this becomes news? Rolling-eyeballs, scratching-head, plug in your favorite cliche, but wasn't she getting paid for her figure, skin texture, bust size, etc?

I'm not a fan of models. They look anemic and there's no life in their eyes. Though I find some of them beautiful their expressionless ramp walk makes them all look like cold-hearted robots. But that's just me. The market's requirements are different. Cultural conditioning goes a long way in defining beauty. And it is such culture codes embedded unconsciously that dictates RL to hire or fire models. Men in west dream of slim, smooth skinned and sharp featured women which makes women want to have those attributes. Jared Diamond once wrote in an essay that men in Papua New Guinea thought western women were sexually unattractive, "look at their pale skin, small breasts and weak arms, they're not fit for raising a family" they would say. (Had it been Papau New Guinea she would have been fired for not being plump enough).

Hamilton's second statement can be interpreted as opportunistic if only it weren't so moronic. She has had a contract with RL since 2002 and all the while she must have passed their metric test. Now that she's put on some flesh she's suddenly proud of her looks and demands an apology - not to her - but American women. Her implication is ludicrous. Any advertisement for a personal adornment feeds to a dream. Somehow their product makes you feel good, improves your productivity, adds class. Even a silly deodorizer transforms you from a office geek to a babe magnet. Women's clothing being such a big market and RL being such a premier they have high standards of the dream they want their customers to experience.

PS: I was very reluctant on writing this post because what I have to say seems so obvious. But I had to persuade myself into posting this because it must not be obvious to a few who think it's news worthy (NY Daily, Slate).
Dawkins says:
"[My biology teacher] came into class and asked: 'What animal feeds on hydra?' We didn't know. He went right around the whole class asking. Everybody was guessing, and then, finally, we said, 'Sir, Sir, what animal does?' And he waited and waited, and then he said, 'I don't know. And I don't think Mr Coulson does either.' He burst into the next room, got Mr Coulson and dragged him out by the arm, and he didn't know either! It was a wonderful lesson, I never forgot it and neither did anyone else: it's OK to not know the answer."

Podcast in the Offing

I was reading some of by earlier blogs posts - the ones I wrote about 8 years back. It was sickening to my stomach and strongly felt like throwing up. There were some generous people who said "You can write". Wow, talk about humanity. Anyway, I was reading these cringe-worthy posts and then I thought about the ones I had written in diaries even before that which nobody knows where they're now. Though it comes as a relief, there's some distress. I don't remember how bad they are. In other words, I'm trying to measure my evolution in terms of my thought process. Not just my range of thinking but also my skill to express those ideas coherently.
And then I thought 10 years hence I'll have a bunch of blog posts, but why should I restrict myself to the written word. With such posts I always have the freedom to edit & update a number of times. But with a podcast I don't think I'd have the willingness to rerecord whole sentences, edit the old one out and plug the new one in. Polishing a podcast would be painful - and that's nice because that would be a raw and faithful representation of my thoughts. Moreover, to be able to know about my thoughts through my own voice has a strong fingerprint element to it than written words.
All pumped up, I started recording using the software that comes with the machine - and the quality was awful. Well a part of the credit goes to my timbre, but the technology is to be blamed too. I'll research a bit, download a proper audio software, buy a microphone and post my first podcast by next weekend. But here's the thing, though each of my posts hardly take 2.5 minutes to be read the podcasts will be quite longer. Of course there'll be some rambling but I plan to include stuff that I would usually have exorcised from the post. I consider it a success if I can publish a podcast every month.
Hmm, I'm thinking way ahead of myself. Let me publish my first podcast and see how it all works out.

Obama Wins Nobel Peace Prize And the Academy is Asked WTF

The Nobel committee sent a bouquet of roses to the White House today morning and sent tins of black paint to 204 other individuals and organizations that were nominated for this year's peace prize. The nominations for 2009 peace prize closed on Feb 11, just 21 days after he was inaugurated. His success at the international level can mostly be narrowed down to stellar speeches which strove hard to reshape the image of America. But that's not in any way adequate to even consider him for such a reputed international prize.

I'm a huge fan of Obama as a personality. He embodies personal responsibility and effuses charm. His speech-making skills are supreme. And I don't doubt his intentions - he wants the world to reduce their nuclear arsenal, he's encouraging greater co-operation between nations to fight climate change and he's taking human rights seriously in countries like China & Myanmar. I think the prize for all of his qualities and vision was given by the American electorate when they elected him the president. Now it's time for him to restore the confidence of American public and project diplomacy & pragmatism, which his predecessor lacked, in the world arena.

Many say that this could be interpreted as a work-in-progress and could be validated for the actions the man will take in the years to come, but that's such a weak argument. The MacArthur genius grant does that - they choose accomplished personalities and give $100000/year for five years with no strings attached, providing artistes and scientists a much needed financial freedom so that they can continue their great work and contribute to the society. But to be shortlisted for the genius grant one should have a solid record, not just noble visions.

Nobel prizes are usually awarded to personalities who have made ground-breaking changes in their field of work. The peace prize has been quite wobbly - you don't see a Ph.D student starting research on a promising technology nominated in the physics category. In this light it is surprising to even think about Obama's nomination, let alone his victory. If the committee were hell bent on giving some prize, they should have given him the literature prize. As an author of 2 best selling books, his literary resume is a bit heavier than his political one from an award perspective.

Update: And now to why I like Obama. He said the following today morning:

Let me be clear, I do not view it as a recognition of my own accomplishments, but rather as an affirmation of American leadership on behalf of aspirations held by people in all nations.

To be honest, I do not feel that I deserve to be in the company of so many of the transformative figures who've been honored by this prize, men and women who've inspired me and inspired the entire world through their courageous pursuit of peace.