Nature of Crime
Follow me to Pormpuraaw, a small Aboriginal community on the western edge of Cape York, in northern Australia. I came here because of the way the locals, the Kuuk Thaayorre, talk about space. Instead of words like "right," "left," "forward," and "back," which, as commonly used in English, define space relative to an observer, the Kuuk Thaayorre, like many other Aboriginal groups, use cardinal-direction terms — north, south, east, and west — to define space.1 This is done at all scales, which means you have to say things like "There's an ant on your southeast leg" or "Move the cup to the north northwest a little bit." One obvious consequence of speaking such a language is that you have to stay oriented at all times, or else you cannot speak properly. The normal greeting in Kuuk Thaayorre is "Where are you going?" and the answer should be something like " Southsoutheast, in the middle distance." If you don't know which way you're facing, you can't even get past "Hello."
Un-subtitled
On Reading & Writing
Anjali Arrives
Whoa
Facebook Bashing
Rare Voice
I smiled back: ‘Tell me brother Ashfaq, how did you respond to the 7/7 event in Britain?’
‘I prayed for the well being of all Muslims,’ he said proudly.
‘Of course, you did,’ I said, with a smile of resignation. ‘But, being a good Muslim, did you also pray for the non-Muslims who died in the suicide attacks?’
Ashfaq went into the trance mode once again. ‘Brother Nadeem …are you by any chance a non-Sunni?’
I laughed out loud: ‘Brother Ashfaq, are you by any chance an idiot?’
Ashfaq went all serious: ‘You don’t have to get offensive, brother.’
‘Ashfaq, what sort of a question was that?’ I said. ‘Am from this sect or a that sect of Islam? I was talking about something a lot more meaningful than sectarian.’
‘Doesn’t matter,’ he said. ‘Islam is for all mankind.’
‘Fine,’ I replied, ‘but how do you plan to prove this? Wouldn’t you rather set a more reasonable and intellectual example in this respect rather than a ritualistic one, or worse, a violent one, like that of the fanatics?’
‘I am not a fanatic,’ he said, his eyes now ogling repressed anger.
I offered him a cigarette.
‘I told you I don’t smoke,’ he said, politely pushing away the offer.
‘You may as well now,’ I said. ‘You have already missed your prayers.’He worriedly looked at his wrist watch: ‘That’s correct. I did.’
‘Don’t worry,’ I smiled. ‘You wont burn in hell for this.’
‘You are right, brother, I wont …’ he replied, and then in a quiet but foreboding tone, added: ‘But you will.’
On Government's Support for Arts
Today the [NEA] is careful to fund nothing more controversial than bilingual puppetry epics. And given the glut of cultural opportunities that now bedevil us, its status as a nurturer of the arts is less pronounced than its status as an agent of state-sponsored moral engineering. Now, it exists largely to reinforce the notion that musicals are somehow more inherently suited to nourishing the roots of our culture than sitcom pilots. That ballet is a greater part of our national heritage than burlesque. That mediocre opera singers deserve more support than our best gangsta rappers.
What are the ramifications of spending tax-payers money on encouraging a rapper who writes misogynistic lyrics and the beauty of getting high on drugs? Should the government support Seinfeld-like comedians to come up with Seinfeld-like sitcoms? Is 'what is art?' a less significant question than 'who defines what art is?' ? If 'art' & 'culture' is mainstream and if they already make money out of it, why should the government sponsor? What next, NEA supporting Hollywood studios?
But then, why do mediocre opera singers (never been to one) deserve a financial pat-on-the-back while thousands of wannabe-cinema-stars live in their cars? Is an older art form (ballet, 'classical' music, theater, etc) inherently a better form of art than today's (Hollywood, rap, video games, etc) even though the mass cannot understand or appreciate that? If something doesn't have an audience (or has a sagging audience) why should the government intervene and prop it up -- should not the market force do its job and wipe away what's not needed?
Ineffective Special Effects
[Ridley Scott's] aesthetic and political purposes are in tension: How upset can we be about a deadly explosion when Scott has labored so mightily to make it look cool? Though evidently intended to straddle the divide between action thriller and geopolitical fable, when pushed, Body of Lies tumbles into the former genre.I've often felt this director's divide between sticking to the flow & tone of the film and making the most of special effects. I've seen behind-the-scene works on what goes into creating a crash or an explosion. When so much money and time is spent by the stunt team, it only seems natural to justify their efforts by showing the 'action' from various angles, repeat with slow-motions. But if it's not an outright action movie whose target audience are juvenile boys, the multiple-angle-slo-mo shots only dilute the intensity of narration.
UO - 2
The motives for being so recruited to serve another country vary. The recruit may be in debt, in a bitter marriage, passed over for promotion, revolted by his own regime, or simply lust for a new life and plenty of money. He may be recruited through his own weaknesses, sexual or homosexual, or simply by sweet talk and flattery.
Intellectual Compartmentalization
We have a problem at the moment, which is that too few people go on from school to study science at university. The point here is not about making more scientists necessarily, but making more people who are competent to observe what's happening in science, to be interested in reading about it, to keep abreast of developments, to be excited by what is happening in science.He's concerned that there aren't enough people who are educated and/or interested enough to observe what's going on in our laboratories today. But wait, compare that with ISRO rocket scientists who invoke the blessings of Tirupati god before a space flight. Talk of intellectual compartmentalization; these guys are on top.
Informed Decisions
Food should be both sustenance and pleasure. The demand that we constantly check our desires against some government-imposed calorie-related target robs us of this joy, replacing it with guilt and fear instead; such schemes serve no other purpose than to persuade us that we must trust in the advice of the health authorities.Rob states that checking the calorie count robs us of the pleasure of eating and leaves us with guilt and fear. Does he mean that the average man has to eat more than the recommended calories/meal in order to derive pleasure out of eating? Rob's essentially implying that the government's stipulations for calories/meal are much less than what one needs to eat in order to remain healthy. Come on, we're dealing with first world countries and nobody (at least an overwhelming majority) is going to die of malnutrition.Rather than labeling everything we eat with calorie and fat contents, a far healthier attitude would be to leave us to make up our own minds about what we consume. We should be lickin’ our fingers, not counting calories on them.
This point rings close to this piece I wrote about a year ago -- how scientific authority is in some circles trying to replace moral & religious authorities. But now, I agree with one of the comments (by Viswanathan) there. He wrote "The shades of fun ( or pain) of owning up responsibilities can still be there, even under the illumination by science. Science can tell us the dangers of excess calories,or excess alcohol or that of tobacco. Knowing fully well the facts, one can still over eat, drink or smoke.The burden of responsibility is only heightened- not lessened- by knowledge."
There's nobody from the local health office sitting next to you watching how many calories you gobble when you stack up your double cheese burgers. You are warned, now it's upto you.